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	<title>Randy Roark &#187; Dangerous And Difficult Art Productions</title>
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		<title>A partial list of DADA Productions</title>
		<link>http://randyroark.com/a-partial-list-of-dada-productions/</link>
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		<pubDate>Sun, 21 Jun 2009 17:02:56 +0000</pubDate>
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				<category><![CDATA[Dangerous And Difficult Art Productions]]></category>

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		<description><![CDATA[&#8220;Why I&#8217;ve Never Read in Public,&#8221; Naropa Winter Arts Fesitival,                        Boulder, CO., March 7, 1981.
Improvised BA Graduation Speech, Naropa University, Boulder,            [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;Why I&#8217;ve Never Read in Public,&#8221; Naropa Winter Arts Fesitival,                        Boulder, CO., March 7, 1981.</p>
<p>Improvised BA Graduation Speech, Naropa University, Boulder,                        CO., April, 1984.</p>
<p>In the Alley Sidewalk Reading, The Other Store/Tattered                        Cover, Denver, CO., June 24, 1985.</p>
<p>William Burroughs Conference, with William Burroughs, Gregory                        Corso, Allen Ginsberg, Anne Waldman, Ted Morgan, and Eric                        Mottram, for Naropa Institute, Boulder, CO., July 22-29,                        1985.</p>
<p>One World Poetry Festival, for Naropa Institute, Boulder,                        CO., August 4-11, 1985.</p>
<p>Valentine&#8217;s Day Reading, performance of &#8220;I&#8217;ve Lost My Penny                        Dreadful,&#8221; Naropa University, Boulder, CO. February 14,                        1986.</p>
<p>Improvised MFA Graduation Speech, Naropa University, Boulder,                        CO., April 1991.</p>
<p>Performance of lecture on Bob Dylan: Letting Your Heart Break                    in Public: This Tape Must Be Blank Too, Naropa University, Boulder,                    CO., Summer 1993.</p>
<p>&#8220;Ekphrasis &amp; Cathexis,&#8221; with Kai Sibley (visual art) and Barbara                    Jean Slopey (American Sign Language), Penny Lane, Boulder, CO.,                    January 23, 1996</p>
<p>Dada Festival, Penny Lane, Boulder, CO., February 19, 1996.</p>
<p>Louis Zukofsky&#8217;s A24: A performance by Lee Ann Brown, Ethelyn                    Friend, Tom Peters, Randy Roark, with Chris Jones on piano,                    Penny Lane, Boulder, CO., June 24, 1996.</p>
<p>Larry Eigner Memorial Reading, Penny Lane, Boulder, CO.                        August 5, 1996</p>
<p>&#8220;Awakening Osiris,&#8221; for Selva Editions Benefit, January                        6, 1997. A Joycelebration: Bloomsday Reading, Boulder Book                        Store, June 16, 1997.</p>
<p>Philip Whalen: Sensei, with Kai Sibley, sponsored by The                        Museum of American Poetics, Boulder Book Store, December                        9, 1997.</p>
<p>Bernadette Mayer&#8217;s Midwinter Day, a community reading,                        Penny Lane, December 22nd, 1997.</p>
<p>Awakening Osiris book release, Naropa University, Boulder,                        CO., January 9, 1998.</p>
<p>World Poetry Bout Association, performance of &#8220;Ekphrasis&#8221;                        with Kai Sibley, Caffe Tazza, Taos, New Mexico, January                        17, 1998</p>
<p>Catullus to Lesbia: Simultaneous reading of the Latin poems                        of Catullus along with Zukofsky&#8217;s sound translations, with                        Kai Sibley, Penny Lane, February 16th, 1998.</p>
<p>Tom Peters Surprise Birthday Reading, co-produced with Todd                    Pinney, Penny Lane, Boulder, CO., March 2, 1998.</p>
<p>Federico Garcia Lorca: Poema, the third night of Boulder Museum                    of Contemporary Art&#8217;s Lorca Centenary celebration, produced                    by Judy Hussie-Taylor, June 21, 1998.</p>
<p>80th Anniversary Celebration of Russian Avant-Garde Poetry                    from the Stray Dog Café, Penny Lane, November 17, 1998.</p>
<p><strong>The Stan Brakhage Film Festival, including: </strong></p>
<p>1. Presentation of City of Boulder&#8217;s &#8220;Stan Brakhage Day&#8221; award,                    Penny Lane, Boulder (along with readings, music, and film to                    celebrate Stan Brakhage), January 11th, 1999</p>
<p>2. Stan Brakhage interviewed by Joel Haertling, CATV 54, Boulder,                    Colorado, January 12th, 1999</p>
<p>3. Stan Brakhage Film Festival, CATV 54, Boulder, Colorado,                    January 13th, 1999</p>
<p>4. 23 Films from 1954 to 1994, selected by Joel Haertling.                    January 15- 16th, 1999, Boulder Public Library Supported by                    a grant from the Arts and Humanities Assembly of Boulder.</p>
<p>5. Winner of &#8220;Westword&#8221; magazine&#8217;s &#8220;Art-Film Festival of the                    Year Award.&#8221;</p>
<hr />Philip Whalen Festival, at the University of Colorado, Penny                    Lane, and the Boulder Book Store, filmed for CATV 54, May 2-4,                    1999.</p>
<p>A Surrealist Party: on the 75th anniversary of Andre Breton&#8217;s<br />
&#8220;First Surrealist Manifesto,&#8221; Penny Lane, Boulder, CO.<br />
October 11, 1999</p>
<p>&#8220;Poetic Apprentice: Journals 1980-1983&#8243; with Kai Sibley<br />
(visual art) and Laura Wright, Penny Lane, Boulder, CO. November                    23, 1999</p>
<p>Twelfth Night, for the Arts and Humanities Assembly of Boulder,                    January 23, 2000.</p>
<p>A performance of &#8220;Footnote to Howl&#8221; onstage with the rave band                    burste at the Bluebird Theater, Denver, CO., September 12, 2000.</p>
<p>A Tribute to Anne Waldman, with Kai Sibley, The Bug Performance                    &amp; Media Art Center, Denver, CO. October 21, 2000</p>
<p>&#8220;Hymns,&#8221; book release, with Kai Sibley, Penny Lane, Boulder,                    CO. November 20, 2000.</p>
<p>&#8220;Hymns&#8221; and &#8220;Ekphrasis,&#8221; with Kai Sibley, Rocky Mountain Book                    Festival, Denver, CO. March 4, 2001.</p>
<p>&#8220;Putting Dylan&#8217;s Christian Period in Social and Autobiographical                    Context&#8221;-presentation at the Bob Dylan at 60 tribute hosted                    by the Mizel Arts Center at the Jewish Community Center, Denver,                    Colorado, June 28, 2001.</p>
<p>Performance of &#8220;A Map of the World,&#8221; International Congress,                    University of Aarhus, Denmark, December 4, 2001-cancelled because                    of the terrorist attacks in the U.S.</p>
<p>&#8220;The Ballad of William Blake&#8221; featuring slides by Kai Sibley, as a fundraiser for the Naropa Archive Project, Penny Lane, Boulder, CO., February 7, 2002</p>
<p>&#8220;The Ballad of William Blake Part II&#8221; a different text and slide performance with Kai Sibley as part of a fundraiser for the Naropa Archive Project, Naropa Institute, Boulder, CO., March 19, 2002</p>
<p>Performance of &#8220;Mona Lisa&#8217;s Veil&#8221; at Boulder Book Store illustrated with slides by Kai Sibley, July 11, 2002</p>
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		<title>DADA Productions Guidelines</title>
		<link>http://randyroark.com/about-dada-productions/</link>
		<comments>http://randyroark.com/about-dada-productions/#comments</comments>
		<pubDate>Sun, 21 Jun 2009 17:00:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Dangerous And Difficult Art Productions]]></category>

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		<description><![CDATA[DADA Productions                  had several guidelines:

 Never do anything twice.
Every performer is treated equally (whenever possible, people                    will read in [...]]]></description>
			<content:encoded><![CDATA[<p>DADA Productions                  had several guidelines:</p>
<ol>
<li> Never do anything twice.</li>
<li>Every performer is treated equally (whenever possible, people                    will read in alphabetical order).</li>
<li>In each production, reach out to a different section of the                    community to try to include unusual faces.</li>
<li>Try something technically new with each production (producing                    for cable tv, live on the radio, etc.).</li>
<li>Try to use as many different venues as possible in order to                    bring &#8220;art&#8221; into other sections of the community.</li>
<li>Every production will be free and open to the public, unless                    the hosting venue needs to charge a cover fee.</li>
</ol>
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